Mad Men, Mad World by Lauren M. E. Goodlad, Lilya Kaganovsky, and Robert A. RushingDuke University Press
Mayakowski's Vacation with Lilya and Ossip Brik, Summer of 1929Mensching et al. · Ploughshares1987PDF190 KB
Double Framing in Lilya 4-Ever: Sex Trafficking and Postsocialist AbjectionSuchland · European Journal of Cultural Studies2013PDF387 KB
Portraying Trafficking in Lukas Moodysson's Lilya 4-EverMatthews · Feminist Media Studies2015PDF411 KB
Pioneers of Soviet Photography 1917-1940by Grigory Shudakov; Olga Suslova; Lilya UkhtomskayaElliott · Oxford Art Journal1984PDF707 KB
Divergent Accounts of Equivalent Narratives: Russian-Swedish Interdevochka Meets Swedish-Russian Lilya 4-everKristensen · PORTAL Journal of Multidisciplinary International Studies2007PDF194 KB
How the Soviet Man was Unmade: Cultural Fantasy and Male Subjectivity under Stalinby Lilya KaganovskyHaynes · The Russian Review2009PDF380 KB
"We Have No Female Companionship": Tiger Lily's Transparent Presence in J.M. Barrie's Peter PanCary · ANQ A Quarterly Journal of Short Articles Notes and Reviews2020PDF737 KB
Sound, Speech, Music in Soviet and Post-Soviet Cinema edited by Lilya Kaganovsky and Masha SalazkinaParanyuk · Film Quarterly2014PDF70 KB
Take Care of Your Scar(f), Lilya! De-stigmatizing the Image of the Post-Soviet Other in Nordic CinemaPauly · Baltic screen media review./Baltic screen media review2014PDF67 KB
Lilya Kaganovsky,How the Soviet Man Was Unmade: Cultural Fantasy and Male Subjectivity under StalinLivers · The Journal of Modern History2010PDF40 KB
MAD MEN, MAD WORLD: Sex, Politics, Style and the 1960s ed. by Lauren M. E. Goodlad, Lilya Kaganovsky, and Robert A. RushingHill · Project MUSE2014PDF345 KB