Introduction: Emine Sevgi Özdamar at 70Stewart, LizzieManey Publishing2016DOI 10.1080/00787191.2016.1208416
Emine Sevgi Özdamar’s Translingual Poetics in MutterzungeMeli̇z Ergi̇nUniversity of Toronto Press2013DOI 10.1353/smr.2013.0005
Emine Sevgi Özdamar's Translingual Poetics in MutterzungeMeliz ErginDOI 10.0000/25e1a617e2d0fb8bce3ba042fd59c972
Staged Pasts: Emine Sevgi Özdamar's Dramatic AestheticEla GezenBoydell and Brewer Limited2018DOI 10.1017/9781787441965.004|10.1017/9781787441965
Die Brücke vom Goldenen Hornby Emine Sevgi ÖzdamarMarilya Veteto-ConradUniversity of Oklahoma1999DOI 10.2307/40154537
Tagebuch für Emine: 28. Februar 2016, 7. April 2016Gabriele GysiManey Publishing2016DOI 10.1080/00787191.2016.1208417
Emine Sevgi Özdamar’s Translingual Poetics in MutterzungeErgİn, MelİzUniversity of Toronto Press2013DOI 10.3138/sem.49.1.20
›Europäische‹ Räume in Emine Sevgi Özdamars Die Brücke vom Goldenen HornÜnalan, Saniye UysalTranscript Verlag2019DOI 10.14361/zig-2019-090105
“Staging Berlin: Emine Sevgi Özdamar’s Seltsame Sterne starren zur Erde”Ela GezenJSTOR2015DOI 10.1353/gsr.2015.0040
Three Centuries: Family Chronicles of Turkey and Egyptby Emine Foat TugayReview by: Kerim Kami KeyThe Middle East Institute1963DOI 10.2307/4323654
Aesthetic Citizenship: Immigration and Theater in Twenty-First Century Paris by Emine FişekMark IngramJohn Hopkins University Press2018DOI 10.1353/mln.2018.0091
