Schenker's‘Decline’: an IntroductionWILLIAM DRABKINJohn Wiley and Sons2005DOI 10.1111/j.1468-2249.2005.00216.x
De-composition? Schenker (and his Corpus) TodayMatthew McdonaldJohn Wiley and Sons2007DOI 10.1111/j.1468-2249.2007.00254.x
‘A Nice Sub-Acid Feeling’: Schenker, Heidegger and Elgar's First SymphonyJ. P. E. HARPER-SCOTTJohn Wiley and Sons2005DOI 10.1111/j.1468-2249.2006.00225.x
Performance, Grouping and Schenkerian Alternative Readings in Some Passages from Beethoven’s‘Lebewohl’ SonataAlan DodsonJohn Wiley and Sons2008DOI 10.1111/j.1468-2249.2008.00269.x
Schenker's Vienna: Nicholas Cook on Culture, Race and Music Theory infin-de-siècle AustriaKevin KorsynJohn Wiley and Sons2009DOI 10.1111/j.1468-2249.2010.00298.x