Amores perrosby Alejandro González IńárrituReview by: Alvaro Vergara-MeryCentro Internacional de Estudios Superiores de Comunicacin para Amrica Latina (CIESPAL)2001DOI 10.2307/29741660
Immersion and Immiseration: Alejandro González Iñárritu's Carne y ArenaRebecca A. AdelmanJohn Hopkins University Press2019DOI 10.1353/aq.2019.0080
Iñárritu, Alejandro González. The Revenant. EUA, 2015. 156 MinSilva, Stefanie Cavalcanti de LimaUniversidade Federal de Santa Catarina2017DOI 10.5007/2175-7968.2017v37n2p349
Las mixtificaciones narrativas en el cine de Alejandro González IñárrituOrellana Gutiérrez De Terán, JuanDOI 10.0000/85e79d9f0c1e6813b62f4d9cccb3ef67
21 Gramsby Alejandro González Iñárritu; Robert Salerno; Guillermo Arriaga; Ted HopeReview by: Kimberly ChunCineaste Publishers, Inc.2004DOI 10.2307/41689706
A Biutiful city: Alejandro González Iñárritu’s filmic critique of the ‘Barcelona model’Benjamin FraserIntellect Ltd2012DOI 10.1386/shci.9.1.19_1|10.0000/8fb4ca6586d8e8ca261e10e481d4e6a4
Embodiment and Immigrant Rights in Alejandro González Iñárritu’s BiutifulKaul, SusanneDE GRUYTER2015DOI 10.1515/9783110376616-013
Transplant Temporalities and Deadly Reproductive Futurity in Alejandro Gonzalez Inarritus 21 GramsMcCormack, D.European Journal of Cultural Studies2016DOI 10.1177/1367549415585549
A Biutiful city: Alejandro González Iñárritu’s filmic critique of the ‘Barcelona model’Benjamin FraserIntellect Ltd2012DOI 10.1386/shci.9.1.19_1
Rehabilitating Neoliberalism: Disability Representation in the Films of Alejandro González Iñárritu and Guillermo ArriagaJulie A. MinichWiley (Blackwell Publishing)2015DOI 10.1111/jpcu.12336
Comunicação em conflito no cinema de Alejandro González Iñárritu: ethos e ficcionalidade documentalCoração, CláudioUniversidade de Sao Paulo Sistema Integrado de Bibliotecas - SIBiUSP2013DOI 10.11606/issn.2316-7114.sig.2013.71680
