‘Agro sí, mina NO!’ the Tía Maria copper mine, state terrorism and social war by every means in the Tambo Valley, PeruAlexander Dunlap2019PDF
Review essay: Maria Tamboukou, In the Fold between Power and Desire: Women Artists' Narratives and Maria Tamboukou, Nomadic Narratives, Visual Forces: Gwen John's Letters and PaintingsM. HerreroQualitative Research2012DOI 10.1177/1468794112442303
Maria Tamboukou, ,In the Fold Between Power and Desire, Women Artists' Narratives (2010) Cambridge Scholars Publishing.Janis JefferiesElsevier Science2011DOI 10.1016/j.wsif.2010.12.001
Sewing, Fighting and Writing: Radical Practices in Work, Politics and Culture, by Maria TamboukouStephanie SpencerTaylor and Francis Group2017DOI 10.1080/09612025.2017.1283760
NOMADIC NARRATIVES, VISUAL FORCES: GWEN JOHN'S LETTERS AND PAINTINGS by Maria TamboukouKEITH TESTERJohn Wiley and Sons2011DOI 10.1111/j.1741-2005.2011.01453_12.x
Book Review: Matti Hyvarinen, Lars-Christer Hyden, Maria Saarenheimo and Maria Tamboukou, Beyond Narrative Coherence: An IntroductionA. WoodsSAGE Publications2013DOI 10.1177/1468794112442920
Women Workers’ Education, Life Narratives and Politics: Geographies, Histories, Pedagogies, by Maria TamboukouMartyn WalkerTaylor and Francis Group2018DOI 10.1080/0046760x.2018.1460406
Doing Narrative Research . 2nd Edition. Molly Andrews, Corinne Squire, and Maria Tamboukou (eds).Ronald GreleThe Oral History Review2016DOI 10.1093/ohr/ohw031
‘Agro sí, mina NO!’ the Tía Maria copper mine, state terrorism and social war by every means in the Tambo Valley, PeruAlexander DunlapElsevier Science2019DOI 10.1016/j.polgeo.2019.02.001