Kill Bill, Volume I and Volume IIF. DebrixMillennium Journal of International Studies2006DOI 10.1177/03058298060340020901
Judith and Beatrix: Oedipal Echo-Effects in Kill BillPaul GordonAmerican imago2019DOI 10.1353/aim.2019.0003
Revenge and the Family Romance in Tarantino’s Kill BillLesel DawsonMosaic2014DOI 10.1353/mos.2014.0022
FROM SHANE TO KILL BILL: RETHINKING THE WESTERNby Patrick McGeeReview by: EILEEN WHITEUniversity of Illinois Press2009DOI 10.2307/20688638
From Shane to Kill Bill: Rethinking the Western by Patrick McGeeJane M. FergusonAmerican Anthropological Association2009DOI 10.1111/j.1548-7458.2009.01018.x
»Silly Caucasian girl likes to play with samurai swords.« Zur Affektpolitik in Quentin Tarantinos KILL BILLGeisenhanslüke, AchimBielefeld University Press. ein Imprint von Roswitha Gost u. Karin Werner - transcript Verlag2006DOI 10.14361/9783839404379-006|10.14361/9783839404379
Love in the Time of Transcultural Fusion: Cinephilia, Homage and Kill Bill DOI 10.1017/9789048505449.005
Themes of Whiteness in Bulletproof Monk, Kill Bill, and The Last SamuraiSean M. TierneyJohn Wiley and Sons2006DOI 10.1111/j.1460-2466.2006.00303.x
‘Kill Bill’ and the Change Agent: A Multi-genre Approach to Organizational StoriesBryant, MelanieCambridge University Press2011DOI 10.1017/s1833367200001188
From Shane to Kill Bill: Rethinking the Western (review)Eileen WhiteUniversity of Illinois Press2009DOI 10.1353/jfv.0.0040
Kill Bill! Ugandan Human Rights Organizations' Attempts to Influence the Media's Coverage of the Anti-Homosexuality BillCecilia StrandCulture Health & Sexuality2011DOI 10.1080/13691058.2011.589080
