Olen, enkä ole. Minuus ja oleminen Aaro Hellaakosken runoudessaby Kaisa KantolaReview by: Irmeli NiemiJSTOR (ISSN 0006-7431)1973DOI 10.2307/40127245
Suomen itsenäisyyden tunnustaminen. Asiakirjakokoelma (Die Anerkennung von Finnlands Selbständigkeit. Dokumentensammlung)by Aaro PakaslahtiReview by: Peter ScheibertFranz Steiner Verlag GmbH1940DOI 10.2307/41041098
Suomi Vihollisena ja Ystävänä, 1714-1967.by V. V. Pohlebkin; Natalia Pienimäki; Aaro MajanenReview by: Marvin RintalaUniversity of Illinois at Urbana-Champaign; Cambridge University Press; Cambridge University Press (CUP) (ISSN 0037-6779)1970DOI 10.2307/2493185
"Bring the Artist to the Composing Room!": Text and Image in Aaro Hellaakoski’s Concept of Book ArtsPulkkinen,University of Illinois Press2015DOI 10.5406/scanstud.87.3.0332
Net negative charge of electron-hole drops in germanium : Aaro Nakamura. Solid St. Commun.21, 1111 (1977)Microelectronics ReliabilityMicroelectronics Reliability1977DOI 10.1016/0026-2714(77)90261-x
"Bring the Artist to the Composing Room!": Text and Image in Aaro Hellaakoski's Concept of Book Arts 1 DOI 10.0000/718b6019484e650c5c03f4e25b3d4f1c
“Why would it not think of its typographic form already from its birth!”: a genetic approach to the typography of Aaro Hellaakoski’s “Kesien kesä”Veijo PulkkinenTaylor and Francis Group2014DOI 10.1080/02666286.2014.951166
Pietilä: Intermediate Zones in Modern Architectureby Marja-Riitta Norri; Roger Connah; Kari Kuosma; Aaro Artto;Reima Pietilä: Architecture, Context and Modernismby Malcolm QuantrillReview by: William C. MillerUniversity of California Press1986DOI 10.2307/990168
Hard as the Rock Itself: Place and Identity in the American Mining Townby David Robertson;Hills of Silver: The Yukon's Mighty Keno Hill Mineby Aaro E. AhoReview by: Chris HerbertUniversity of Washington in cooperation with Washington State Historical Society2006DOI 10.2307/40492006
