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Contents 6 Acknowledgements 8 Figures 11 Introduction: Expressionism between Spirit and Commerce 16 Chapter 1 Illustration, Abstraction, Advertising: Wilhelm Worringer and the Continuities of German Art 66 Chapter 2 Hieroglyphic Appeal: the Visual Rhetoric of the German Object Poster, Werkbund Style, and Expressionist Art 102 Chapter 3 Promoting Expressionism before Expressionism: Künstlergruppe Brücke and Theories of the Modern Image before World War I 152 Chapter 4 From War to Revolution, from Propaganda to Art: Expressionism and Posters of the Revolutionary Period 212 Chapter 5 Expressionism after Expressionism: “Dead” Expressionism and Theories of the Modern Image after World War I 274 Conclusion: Expressionism as Buzzword 343 Copyright of Figures 352 Bibliography 357 Index 379
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- Chapman, Kathleen G.;
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- EN
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