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Contents 5 Acknowledgements 7 Figures 10 Introduction: Expressionism between Spirit and Commerce 15 Chapter 1 Illustration, Abstraction, Advertising: Wilhelm Worringer and the Continuities of German Art 65 Chapter 2 Hieroglyphic Appeal: the Visual Rhetoric of the German Object Poster, Werkbund Style, and Expressionist Art 101 Chapter 3 Promoting Expressionism before Expressionism: Künstlergruppe Brücke and Theories of the Modern Image before World War I 151 Chapter 4 From War to Revolution, from Propaganda to Art: Expressionism and Posters of the Revolutionary Period 211 Chapter 5 Expressionism after Expressionism: “Dead” Expressionism and Theories of the Modern Image after World War I 273 Conclusion: Expressionism as Buzzword 342 Copyright of Figures 351 Bibliography 356 Index 378
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