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African Methodist Episcopal (AME) Bishop Richard Allen’s hymnody, when coupled with his anti-racist activism and his encouragement of communal music-making in worship, evoked eschatological freedom from sin and called for socio-political freedom for people of African descent in the years following the founding of the United States of America. To fully comprehend Allen’s hymnody, one should consider the urgency he bore for freedom and justice for black people in America. Allen (1760–1831) first published a hymnal in 1801, followed by a revised edition in the same year; the included hymns articulate his belief that people could receive individual freedom from both sin and God’s wrath at the final judgement. Allen held to the evangelical hope of Christ’s return which would inaugurate the emancipation of all enslaved people; likewise, eschatological justice must include freedom from political bondage for people of African descent in America. While holding the expectation of eschatological freedom and justice, he adamantly pursued this political freedom during his lifetime, as evidenced in his theo-political writings against slavery and other forms of racial injustice. Consequently, Whi

Author
Charrise Barron
Publisher
Oxford University Press
Published
2021
Language
EN

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