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MS Impressionsism 4C NEW.qxp by Brodskai︠a︡, Natalʹi︠a︡ Valentinovna is a nonfiction available to read on EtoBox.

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PREFACE; THE IMPRESSIONISTS AND ACADEMIC PAINTING; THE FIRST IMPRESSIONIST EXHIBITION; ÉDOUARD MANET; CLAUDE MONET; PIERRE AUGUSTE RENOIR; ALFRED SISLEY; CAMILLE PISSARRO; EDGAR DEGAS; BERTHE MORISOT; BIBLIOGRAPHY; INDEX.;"'I paint what I see and not what it pleases others to see.' What other words than these of Edouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the movement of Impressionism? Without a doubt this singularity was explained when, shortly before his death, Claude Monet wrote: 'I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist.' In this work, Nathalia Brodskaia examines the contradictions of this late-19th-century movement through the paradox of a group who, while forming a coherent ensemble, favoured the affirmation of artistic individuals. Between academic art and the birth of modern, non-figurative painting, the road to recognition was long. Analysing the founding elements of the movement, the author follows, through the works of each of the artists, how the demand for individuality gave rise to modern painting. Nathalia Brodskaia is a curator at T

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It is typically read by self-directed learners exploring a subject in depth.

Common subject areas: history, science, philosophy, social sciences.

Author
Brodskai︠a︡, Natalʹi︠a︡ Valentinovna
Publisher
Parkstone Press International
Published
2014
Language
EN
ISBN
9781780422138
Category
nonfiction
Subjects
History, Biography, Art

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