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Race, Class, and Gender in ”Medieval Cinema” by Lynn Tarte Ramey; Tison Pugh is a nonfiction available to read on EtoBox.

What is Race, Class, and Gender in ”Medieval Cinema” about?

Cover 1 Contents 8 List of Illustrations 10 Introduction: Filming the “Other” Middle Ages 11 Part I Multicultural Identities: A Lost Ideal? 23 1 Once, Present, and Future Kings: Kingdom of Heaven and the Multitemporality of Medieval Film 24 2 Chahine’s Destiny: Prophetic Nostalgia and the Other Middle Ages 39 3 Reversing the Crusades: Hegemony, Orientalism, and Film Language in Youssef Chahine’s Saladin 53 4 Samurai on Shifting Ground: Negotiating the Medieval and the Modern in Seven Samurai and Yojimbo 67 Part II: Barbarism and the Medieval Other 81 5 Vikings through the Eyes of an Arab Ethnographer: Constructions of the Other in The 13th Warrior 82 6 Mission Historical, or “[T]here were a hell of a lot of knights”: Ethnicity and Alterity in Jerry Bruckheimer’s King Arthur 97 7 Inner-City Chivalry in Gil Junger’s Black Knight: A South Central Yankee in King Leo’s Court 113 8 Queering the Medieval Dead: History, Horror, and Masculinity in Sam Raimi’s Evil Dead Trilogy 128 Part III: Romantic Values 142 9 In Praise of Troubadourism: Creating Community in Occupied France, 1942–43 143 10 Sexing Warrior Women in China’s Martial Arts World: King Hu’s A Touch of Zen 158 11 T

Who reads Race, Class, and Gender in ”Medieval Cinema”?

Author

Lynn Tarte Ramey; Tison Pugh

Publisher

Palgrave Macmillan US

Published

2007

Language

EN

Category

nonfiction

Subjects

History, European History, Humanities