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This paper explores the implications of the open future hypothesis on our understanding of film as a form of fiction. It argues that while the future is indeterminate, the screen present represents determinate fictional facts, suggesting that the fictional present may coincide with or follow the screen present. The author also discusses the differences between film and novels in terms of temporal representation and how this affects the interpretation of fictional time.
- Author
- arlindo.junyr
- Language
- EN