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The document explores the role of sensationalism, particularly in crime tabloids, as a powerful force that both attracts and repulses audiences through the representation of horror and human suffering. It argues that sensationalist publications serve as an underexplored archive that reflects the lives of marginalized populations, while also critiquing the social and political contexts that shape these narratives. The author aims to analyze the dynamics of sensationalism in popular culture, its impact on mar

Author

Ana Claudia Simão

Language

EN