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COVER front 1 Copyright Page 5 Table of Contents 6 List of Illustrations 8 Introduction 10 Notes to Introduction 21 Chapter 1: Animals at the Table: Performing Meat in Early Modern England and Europe 23 Notes to Chapter 1 35 Chapter 2: Intra-Active Performativity: Rethinking the Early Modern Equestrian Portrait 37 Notes to Chapter 2 55 Chapter 3: Past Performances: Gleanings from the Archives About Early Modern Equine Athletic Performance 57 Notes to Chapter 3 73 Chapter 4: "I See Them Galloping!": War, Affect, and Performing Horses in Matthew Lewis's Timour the Tartar 75 Notes to Chapter 4 88 Chapter 5: Peaceable Kingdom: The Place of the Dog at the Nativity Scene 90 Notes to Chapter 5 100 Chapter 6: Performing Pain: The Suffering Animal in Early Modern Experiment 103 Notes on Chapter 6 118 Chapter 7: Circus Minimus: The Early Modern Theater of Insects 120 Notes on Chapter 7 130 Chaper 8: Shakespeare's Insect Theater: Fairy Lore as Elizabethan Folk Entomology 132 Notes to Chapter 8 147 Chapter 9: Miss Mazeppa and the Horse with No Name 150 Notes to Chapter 9 162 Chapter 10: Horses Queer the Stage and Society of Shenandoah 163 Notes to Chapter 10 182 Bibliography 184 Contributors 1

Author

Karen Raber,Monica Mattfeld

Language

DE