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This document summarizes 18th century dice music games that allowed non-musicians to compose music randomly. It describes several influential early dice music games published between 1757-1812, including works by Kirnberger, an anonymous author, Carl Philipp Emanuel Bach, and an English game. These games segmented pre-composed music into individual notes or bars that could be reassembled in random order to generate new musical compositions, representing an early form of aleatory music composition.

Author

Sebastian

Language

EN