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<p><i>The Artist as Producer</i> reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s—the Institute of Artistic Culture (INKhUK) in Moscow—Maria Gough offers a powerful reinterpretation of the work of the first group of artists to call themselves Constructivists. Her lively narrative ranges from famous figures such as Aleksandr Rodchenko to others who are much less well known, such as Karl Ioganson, a key member of the state-funded INKhUK whose work paved the way for an eventual dematerialization of the integral art object.<br> Through the mining of untapped archives and collections in Russia and Latvia and a close reading of key Constructivist works, Gough highlights fundamental differences among the Moscow group in their handling of the experimental new sculptural form—the spatial construction—and of their subsequent shift to industrial production. <i>The Artist as Producer</i> upends the standard view that the Moscow group's formalism and abstraction were incompatible with the sociopolitical imperatives of the new Communist
Who reads The artist as producer : Russian constructivism in revolution?
It is typically read by collectors seeking rare, out-of-print or specialist editions.
Common subject areas: rare and out-of-print works.
- Author
- Gough, Maria
- Publisher
- Berkeley: University of California Press
- Published
- 2005
- Language
- EN
- ISBN
- 9780520226180
- Category
- art
- Subjects
- Fiction, History, Art
- Rating
- 3.64 / 5 (11 ratings)
- Updated
- 2026-03-14
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