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The Canadian artist Atom Egoyan is perhaps best known for his sustained inquiry into the nature of the image and the technology of the screen. The complexity with which he treats the image and image-making has been amply treated in the critical literature about his work. At this time, much of the critical literature on globalization, transnationalism, migrancy, and diaspora is surprisingly silent on these questions.

Author

MilenaKafka

Language

EN