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Contents 8 Acknowledgments 10 Introduction. Mise-en-Scène, a Seemingly International Staging 12 Part 1. A Neonoir Skew to the Action-Image 58 1. A Shimmering Suture: Fabián Bielinsky’s Epileptic El aura 60 2. Slippery Criminal Pleasures: Intermediality and Voyeurism in Jorge Furtado's O homem que copiava 71 3. Endless Quest: Chasing Sex, Lies, and Money at the Gates of Hell in Heitor Dhalia's O cheiro do ralo 85 Part 2. Road Movies 100 4. The Paradoxical Effect of the Documentary: Walter Salles's Central do Brasil 102 5. Twin Piques: The Double Discourse of Carlos Sorín's El camino de San Diego 117 6. Orphans' Solidarity: María Victoria Menis's El cielito 134 Part 3. Drama 148 7. Sculpting Time: Inés de Oliveira Cézar’s Como pasan las horas 150 8. The Past Engulfs the Present: Josué Méndez’s Días de Santiago 157 Part 4. Experimental Auteurism 168 9. Whether or Not to End One’s Life: Carlos Reygadas’s Japón 170 10. Crime and Self-Inflicted Punishment: Carlos Reygadas's Batalla en el cielo 179 Part 5. Experimental Auteurism and Intertextuality 186 11. The Miracle of Female Bonding in Patriarchal Society: Carlos Reygadas's Stellet licht (2008) 188 12. Cyclical Scapegoating: Inés de Ol

Author
Tompkins, Cynthia(Author)
Language
EN

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