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Like many of her contemporaries, the Spanish poet Gloria Fuertes (1917–1998) explores metapoetic themes such as the essence of poetic language, the purpose of poetry and the role of the poet and the reader in her work. This article considers metapoetry and the closely related concept of parody in two of her poems, ‘El vendedor de papeles o el poeta sin suerte’, first published in 1954, and ‘Maletilla’, from Poeta de guardia (1968). Both poems reveal her experience of being sidelined by literary critics, whi
- Author
- Gustavo Kofman
- Language
- EN