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The document discusses the diatonic (church) modes. It defines the seven modes based on their characteristic intervals from the tonic note. The Dorian, Phrygian, and Aeolian modes are described as minor modes with minor tonic triads, while the Lydian and Mixolydian are described as major modes with major tonic triads. Typical cadential formulas are provided for each mode. Suggestions are made for transposing the modes, analyzing modal pieces, and composing modal exercises.

Author

paco desantis

Language

EN