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This document discusses the recent resurgence of interest in artist Elaine Sturtevant and factors that may have contributed to it. It summarizes her 1966 exhibition at Galerie J in Paris that included repeats of works by Pop artists like Oldenburg, Segal, Rosenquist, and Lichtenstein. While this exhibition is often viewed as an early example of appropriation art, the document argues there are important aspects of Sturtevant

Author

toby

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EN