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This article investigates the contributions of Annemarie Heinrich, a German nationalized Argentinian photographer, to Argentine cinema from 1933 to 1959, emphasizing her role in cultural modernization. It aims to reconnect her career with the artistic and commercial context of the evolving film industry, highlighting her multifaceted influence on visual culture and social mediation. The research utilizes extensive archival materials to reconstruct Heinrich
- Author
- chicasdetesis
- Language
- EN