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This paper introduces a melody-first model for chord-melody arranging in fingerstyle jazz, emphasizing the preservation of the top voice to enhance melodic clarity. A study comparing melody-first arrangements to chord-dense arrangements reveals that the former results in higher perceived clarity and overall musicality, particularly in faster tempos. The proposed heuristics guide arrangers in balancing harmony and melody, suggesting a staged approach to layering musical elements.

Author

laji youjian

Language

EN