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The book explores the sound structures in Polish futurist poetry, comparing it with European avant-garde practices and Polish literary traditions. It analyzes the innovative use of sound elements by poets like Bruno Jasieński and Tytus Czyżewski, highlighting their unique contributions to sound orchestration in literature. The study also examines the connections between Polish futurism, symbolist aesthetics, dadaism, and folklore, ultimately establishing the lasting impact of futurist sound experimentation
- Author
- Daniel Santorowski
- Language
- EN