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Reframing Japonisme: Women and the Asian Art Market in Nineteenth-Century France, 1853–1914 (Contextualizing Art Markets) by Emery, Elizabeth is a nonfiction available to read on EtoBox.

What is Reframing Japonisme: Women and the Asian Art Market in Nineteenth-Century France, 1853–1914 (Contextualizing Art Markets) about?

"Japonisme, the nineteenth-century fascination for Japanese art, has generated an enormous body of scholarship over the last twenty years, but most of it neglects women, who also acquired objects from the Far East and displayed them in their homes before selling or bequeathing them to museums. The stories of women collectors and shopkeepers rarely appear in memoirs left by those associated with the japoniste movement. The present volume thus brings to light the culturally important, yet largely forgotten artistic activities of women such as Clèmence d'Ennery (1823-1898), who began collecting Japanese and Chinese chimeras in the 1840s, built a house for them in the 1870s, and bequeathed the 'Musèe d'Ennery' to the state as a free public museum in 1893. A friend of the Goncourt brothers and a fifty-year patron of Parisian dealers of Asian art, d'Ennery's struggles to gain recognition as a collector and curator serve as a lens through which to examine the japonisme of other women of her day, from dealers of Japanese art (Madame Desoye, Florine Langweil), salon hostesses (Princesse Mathilde, Louise Cahen d'Anvers), and writers and actresses (Judith Gautier, Sarah Bernhardt), to travell

Who reads Reframing Japonisme: Women and the Asian Art Market in Nineteenth-Century France, 1853–1914 (Contextualizing Art Markets)?

It is typically read by self-directed learners exploring a subject in depth.

Common subject areas: history, science, philosophy, social sciences.

Author
Emery, Elizabeth
Publisher
Bloomsbury Visual Arts; Bloomsbury
Published
2020
Language
EN
ISBN
9781501344633
Category
nonfiction
Subjects
Anthropology, History, Art

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