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This chapter examines Derrida’s writings on the archive and, more particularly, his reflections on the archive of psychoanalysis. Although texts such as Mal d’archive (Archive Fever) have often been held as heralding a ‘theoretical’ turn in archival studies, Derrida’s writings on the archive continually question the limitations of any theory, concept, or science of the archive. Part of the archive’s resistance to conceptualization lies in its relationship to what calls Derrida ‘originary technicity’, a structure which concerns not only the material space of paper but also the psyche as a mnemic archive and the virtual or digital archive. If a firm distinction between these three types of archive can never be guaranteed, this indistinction has important consequences for psychoanalytic therapy and for the ‘positive’ science of history. The latter is explored here through Derrida’s reading of Yosef Hayim Yerushalmi’s Freud’s Moses: Judaism Terminable and Interminable. For Derrida, the archive’s structural resistance to interpretation—what he elsewhere calls its ‘absolute secrecy’—means that it is always the site of passionate investments. Freud’s account of the psyche as a space of ar
- Author
- Paul Earlie
- Publisher
- Oxford University Press
- Published
- 2021
- Language
- EN
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