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‎Contents 8 ‎Preface 12 ‎Acknowledgments 20 ‎Abbreviations 21 ‎Part 1. The Theoretical Arts 22 ‎Introduction 24 ‎Contents 28 ‎Chapter 1. The Preference of Speech over Muteness 31 ‎Chapter 2. The Gems of Philosophers’ Aphorisms 35 ‎Chapter 3. On the Sophistication of Melodies 37 ‎Chapter 4. The Meanings of Melodies 39 ‎Chapter 5. Composing Melodies That Suit the Poems 41 ‎Chapter 6. The Definition of Singing and Its Components 44 ‎Chapter 7. The Definition of the Voice and Its Production 45 ‎Chapter 8. Poetic and Musical Divisions 46 ‎Chapter 9. The Origin of Arabic Singing 49 ‎Chapter 10. Favoring Older Poetry over the Modern 50 ‎Chapter 11. Favoring Older Singing over the Modern 52 ‎Chapter 12. The Character, Effects, and Types of Melodies 58 ‎Chapter 13. The Names of the First Male Singers in the Jāhiliyya 63 ‎Chapter 14. The Names of the First Songstresses in the Jāhiliyya 64 ‎Chapter 15. The Names of the First Male Singers in Early Islam 67 ‎Chapter 16. The Names of the First Songstresses in Early Islam in addition to the Ones I Have Already Mentioned 68 ‎Chapter 17. The Names of the Effeminates in Early Islam 69 ‎Chapter 18. The First to Notate Songs 70 ‎Ch

Author

George Dimitri Sawa;

Language

EN