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<p>If seeing ever really was a reason for believing, it surely was not in New York around 1900. The rift between appearances and truth was widening: deceptive images flourished in advertising and mass media; science contradicted unaided vision; the spirit world gained credibility; and hucksters, frauds, and hoaxes proliferated.<br> In <i>Looking Askance,</i> Michael Leja conducts a dazzling tour from fine art to mass culture and back again to chart the emergence of a new skepticism about seeing and to assess the roles played by the visual arts, both fine and commercial, in this cultural transformation.<br> A lively exploration of the relationship between modern art, truth, and deception, <i>Looking Askance</i> offers a new paradigm for understanding American visual culture, from the art of Thomas Eakins, William Harnett, and Marcel Duchamp to such fascinating historical episodes as the trial of spirit photographer William Mumler, scientist Helen Abbott's interpretation of Monet's Impressionism, the myriad illusions featured at the Buffalo World's Fair of 1901, and William James's analysis of automatic drawing. Leja traces the roots of skeptical seeing in the culture of modernity an

Author

Michael Leja; American Council of Learned Societies

Publisher

University of California Press

Published

2006

Language

EN

ISBN

9780520249967

Subjects

Art, History, Arts

Rating

5 / 5 (2 ratings)

Updated

2026-03-14