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This document summarizes and discusses a scholarly article about modern depictions of a dancer from the Ajanta cave paintings in India. The article examines how the image of the dancer was transferred across different techniques, epochs, and contexts during the colonial era. It analyzes drawings of the dancer made by Indian artist Samarendranath Gupta and German artist Ernst Ludwig Kirchner. Both used drawing to represent details of the newly discovered image from the Buddhist murals. The document discu

Author

Victor Hugo Valencia Giraldo

Language

EN