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Frontcover 1 Contents 6 List of Illustrations 8 List of Contributors 11 Editors’ Note 15 Introduction 16 I Myth in Medieval Music Theory and Philosophy 30 1 Music and the Myth of Apollo’s Grove 32 2 The Consolation of Philosophy and the ‘Gentle’ Remedy of Music 47 3 And in England, There are Singers: Grafting Oneself into the Origins of Music 61 II Iconologies of Music and Myth 76 4 The Harmonious Blacksmith, Lady Music and Minerva: The Iconography of Secular Song in the Late Middle Ages 78 5 Foolish Midas: Representing Musical Judgement and Moral Judgement in Italy c.1520 102 III Myths in Renaissance Philosophies of Music 120 6 Marsilio Ficino and Girolamo Cardano under Orpheus’s Spell 122 7 Origin Myths, Genealogies and Inventors: Defining the Nature of Music in Early Modern England 139 IV Myth and Musical Practice 154 8 How to Sing like Angels: Isaiah, Ignatius of Antioch and Protestant Worship in England 156 9 In Pursuit of Echo: Sound, Space and the History of the Self 171 V Narratives of Performance 182 10 Ophelia’s Mad Songs and Performing Story in Early Modern England 184 11 Dangerous Beauty: Stories of Singing Women in Early Modern Italy 210 VI Myth and Music as Forms of K
- Author
- Katherine Butler;Samantha Bassler;
- Language
- EN
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