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Sound (Whitechapel: Documents of Contemporary Art) by Caleb Kelly; Vito Acconci; Svetlana Alpers; Laurie Anderson; Jacques Attali; Harry Bertoia; John Cage; Kim Cascone; Germano Celant; Michel Chion; Ralph T Coe; Steven Connor; Christoph Cox; Martin Creed; Philip Dadson; Suzanne Delehanty; Paul DeMarinis; Helmut Draxler; Marcel Duchamp; Bill Fontana; William Furlong; Liam Gillick; Kim Gordon; Dan Graham; Paul Hegarty; Martin Herbert, kritik.; Chrissie Iles; Tom Johnson; Branden Wayne Joseph; Douglas Kahn; Allan Kaprow; Mike Kelley; Seth Kim-Cohen; Yves Klein; Christina Kubisch; Brandon LaBelle; Dan Lander; Bernhard Leitner; Alvin Lucier; Len Lye; Christian Marclay; W J Thomas Mitchell; Robert Morris; Alexandra Munroe; Bruce Nauman; Hermann Nitsch; Michael Nyman; Jacques Rancière; Steve Roden; Luigi Russolo; R Murray Schafer; Michel Serres; Steven Shaviro; Mieko Shiomi; Michael Snow; Antonio Somaini; Emily Ann Thompson; Yasunao Tone; David Toop; Bill Viola; Paul Virilio is a nonfiction available to read on EtoBox.

What is Sound (Whitechapel: Documents of Contemporary Art) about?

The "sonic turn" in recent art reflects a wider cultural awareness that sight no longer dominates our perception or understanding of contemporary reality. The background buzz of myriad mechanically reproduced sounds increasingly mediates our lives. Tuning into this incessant auditory stimulus, some of our most influential artists have investigated the corporeal, cultural, and political resonance of sound. In tandem with recent experimental music and technology, art has opened up to hitherto excluded dimensions of noise, silence, and the act of listening. Artists working with sound have engaged in new forms of aesthetic encounter with the city and nature, the everyday and cultural otherness, technological effects and psychological states. New perspectives on sound have generated a wave of scholarship in musicology, cultural studies, and the social sciences. But the equally important rise of sound in the arts since 1960 has so far been sparsely documented. This volume is the first sourcebook to provide, through original critical writings and artists' statements, a genealogy of sonic pathways into the arts, philosophical reflections on the meanings of noise and silence, dialogues betw

Who reads Sound (Whitechapel: Documents of Contemporary Art)?

Author

Caleb Kelly; Vito Acconci; Svetlana Alpers; Laurie Anderson; Jacques Attali; Harry Bertoia; John Cage; Kim Cascone; Germano Celant; Michel Chion; Ralph T Coe; Steven Connor; Christoph Cox; Martin Creed; Philip Dadson; Suzanne Delehanty; Paul DeMarinis; Helmut Draxler; Marcel Duchamp; Bill Fontana; William Furlong; Liam Gillick; Kim Gordon; Dan Graham; Paul Hegarty; Martin Herbert, kritik.; Chrissie Iles; Tom Johnson; Branden Wayne Joseph; Douglas Kahn; Allan Kaprow; Mike Kelley; Seth Kim-Cohen; Yves Klein; Christina Kubisch; Brandon LaBelle; Dan Lander; Bernhard Leitner; Alvin Lucier; Len Lye; Christian Marclay; W J Thomas Mitchell; Robert Morris; Alexandra Munroe; Bruce Nauman; Hermann Nitsch; Michael Nyman; Jacques Rancière; Steve Roden; Luigi Russolo; R Murray Schafer; Michel Serres; Steven Shaviro; Mieko Shiomi; Michael Snow; Antonio Somaini; Emily Ann Thompson; Yasunao Tone; David Toop; Bill Viola; Paul Virilio

Publisher

Whitechapel Gallery; MIT Press; WHITECHAPEL GAL; The MIT Press

Published

2011

Language

EN

ISBN

9780262515689

Category

nonfiction

Subjects

Art, Technology, Techniques

Updated

2026-03-24