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This document discusses distinguishing different artistic hands at work in the drawings and paintings discovered at Kuntillet >Ajrud during excavations in 1975-1976. It argues that while the precise number is difficult to establish, stylistic and evidence of copying operations suggest multiple draftsmen worked on the pithoi and wall paintings. The author analyzes spatial relationships and visibility of drawings and inscriptions on two pithoi, and considers the distinction of hands based on Pirhiya Beck
- Author
- Jes Cantu
- Language
- EN