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Contents 6 Figures and Tables 10 Figures 10 Tables 10 Musical Examples 11 Introduction 14 1 Liszt and the Song Genre 15 2 Sources and Challenges 17 3 Scholarly Research 22 4 The Methodology 30 5 About this Book 37 Part 1 Words 42 1 The Role of Literary Quotations in Franz Liszt’s Statements 44 1 The Artist’s Personal Notes 45 2 Liszt’s Correspondence 49 2 Linguistic Diversity in Franz Liszt’s Songs 54 1 The Languages of Liszt’s Songs 54 2 Liszt and the Tongues He Used 56 3 “Go Not, Happy Day”: a Special Case 64 3 Franz Liszt’s Poets and Their Texts 73 1 Challenges and Authors’ Names 73 2 Liszt’s Relations with Poets 82 3 Text Sources 90 4 The topoi of Franz Liszt’s Songs 94 4 The Composer’s Work with the Poetic Text 99 1 Before a Song was Written... 99 2 The Texts in Song Scores 104 Part 2 Music 116 5 Word-and-Music Interrelations in Franz Liszt’s Songs 118 1 Intermedial Relations I: Text and Music 119 2 Intermedial Relation II: Voice and Piano 127 3 Interrelations between Songs 134 6 Hybridity in Franz Liszt’s Songs 145 1 The Art Song and Hybridity in Romantic Art 146 2 Hybrids in Liszt’s Songs 148 2.1 Merging Genres 150 2.2 Fusing Performance Styles and Techniques 151 2.3 Old For
- Author
- Magorzata Gamrat;
- Language
- EN
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