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Foreword / David Lidov. 1. Musical Initiations ; 2. Subjects And Subjectivity ; 3. A Philosophical Outlook -- 1. Signs Of Subjectivity. 1. Physical Disciplines And Signs ; 2. A Semiotic View Of Musical Subjectivity ; 3. Expressive Individuation And Uncertainty -- 2. Listening Subjects And Semiotic Worlds. 1. The Uncertainties Of Musical Signification ; 2. Intentionality And Metaphor ; 3. Subjects And First-person Authority ; 4. Regaining An Interpretive I -- 3. Musical Signs. 1. Signs And Objects ; 2. Questions And Typologies -- 4. Naming Qualities: Hearing Signs. 1. Qualities And Qualities-as-signs ; 2. Disciplinary Boundaries: How Does Semiotics Relate To Psychology? ; 3. Living Sounds And Virtualities ; 4. Worlds Of Sound And Subjective Identifications -- 5. Gesturing. 1. Gesture As Performance And Convention ; 2.to Perform Or To Dissimulate? ; 3. Voice And Gesture As Virtualities -- 6. Framing Willfulness In Tonal Law. 1. Theorists: Giving Roles To Rules ; 2. The Dialectics Of Tonal Semiosis -- 7. Complex Syntheses. 1. Expressive Complexity And Musical Personae ; 2. Modes Of Synthesis -- 8. Culturally Embedded Signs. 1. Emergent Qualities ; 2. Skeptical Issues -- 9. Values And

Author

Cumming, Naomi

Publisher

Indiana University Press

Published

2000

Language

EN

ISBN

9780253337542

Subjects

Music, Philosophy, Science