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This thesis by Lauren R. Millhorn examines the representation of Hip-Hop artists in the American Midwest, challenging the nostalgic and predominantly white narrative of the region. It highlights how Hip-Hop serves as a platform for marginalized communities of color to critique white supremacy and express their realities. The work aims to bring attention to the often-overlooked Midwestern Hip-Hop scene and its cultural significance.

Author
Knowledge
Language
EN