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Contents 6 Preface 8 1 The Early Eighteenth Century 10 I. Introduction 10 II. The Philosophers 16 1. Vico 16 2. Dubos: The Sublimation of the Passions 25 3. Shaftesbury 45 III. Antiquarians and Connoisseurs 52 IV. The Artists 61 1. Introduction 61 2. Gerard De Lairesse 66 3. Richardson: The Rise of the Sublime 82 Notes 92 2 Beginnings of the New Age 98 I. Mengs 99 II. Winckelmann 106 1. Winckelmann and the Art of His Time 107 2. The "Classical" 114 3. Imitation 118 4. Beauty 122 5. The Nature of the Ideal 127 III. Diderot 131 1. Art Theory and Art Criticism 131 2. Diderot: Spontaneity and Morality 135 IV. Reynolds 141 Notes 149 3 Unity and Diversity of the Visual Arts 155 I. Introduction 155 1. Lessing 158 2. Herder's Plastik 174 II. Reconstructing the Unity of the Arts 180 1. Schlegel 182 2. Hegel 187 III. Merging the Arts 208 1. New Trends 208 2. Chevreul 210 3. Delacroix 215 4. Baudelaire 219 Notes 226 Illustrations 233 4 The Symbol 265 I. Winckelmann 267 II. The Science of Mythology 272 1. Creuzer 274 2. Bachofen 279 III. The Symbolic Landscape 286 1. Romantic Concern with Landscape 286 2. Carus 293 3. Caspar David Friedrich 300 4. Vischer 303 IV. Color Symbolism 306 1. The Con

Author

Moshe Barasch

Language

EN