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Chapter 5 discusses the role of Romani musicians as cultural translators, particularly focusing on the case of Panna Cinka, a notable female violinist. It highlights how Romani musicians navigate cultural intersections and adapt their music to communicate with diverse audiences, while also addressing the complexities of gender and identity within Romani culture. The chapter emphasizes the importance of intersectionality in understanding the multifaceted experiences of Romani musicians, particularly women, i

Author

Ніна Анатоліївна Кривошия

Language

EN