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The concert overture and symphonic poem both evolved during the 19th century as programmatic works intended for performance in concert halls. The concert overture originated from overtures to theatrical works and was pioneered by composers like Mendelssohn, while the symphonic poem combined multiple symphonic movements into one and related to external sources through an instrumental program, as seen in works by Liszt. Though similar in their programmatic nature and influence from sources like literature, th
- Author
- ben
- Language
- EN