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This document discusses the debate between art historians E.H. Gombrich and Norman Bryson regarding schemata in visual perception and painting. Gombrich argued that schemata are mental images formed from direct observation that influence how we see and represent the world. He used many examples to illustrate this, such as how Egyptian artists represented the human body based on conventions. Bryson rejected Gombrich

Author

AbdurRehmanKhàn

Language

EN