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The work addresses futurist theater, an avant-garde movement that emerged in the early 20th century, characterized by its exaltation of movement, speed, and aggression, as well as its rejection of artistic traditions. The manifestos of its founders, such as Filippo Tommaso Marinetti, are analyzed, and the stage actions of the futurism militants are discussed, evaluating their effectiveness and the visual impact they generate. Additionally, the contributions of key figures such as Umberto Boccioni and Luigi

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