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What is The Transformation of Vernacular Expression in Early Modern Arts about?

Contents 5 Notes on the Editors 7 Notes on the Contributors 9 List of lllustrations 13 Introduction: The Transformation of Vernacular Expression in Early Modern Arts 21 I. Intersections 45 Petrarch’s Italy, Sovereign Poetry and the Hand of Simone Martini 47 ‘Salve Maria Gods Moeder Ghepresen.’ The Salve Regina and the Vernacular in the Art of Hans Memling, Anthonis de Roovere, and Jacob Obrecht 79 Going Local: Three Sixteenth-Century Florentine Views on Donatello’s St. George 119 As Many Lands, As Many Customs. Vernacular Self-Awareness Among the Netherlandish Rhetoricians 143 Frans Hals and the Vernacular 199 II. Method 225 The Hybrid Text: Transformation of the Vernacular in Beware the Cat 227 Local Terrains: Imaging the Vernacular Landscape in Sixteenth-Century Antwerp 249 III. Identities 291 Als ich can: How Jan van Eyck Extended the Vernacular from Dutch Poetry to Oil Painting 293 Pictorial Babel: Inventing the Flemish Visual Vernacular 333 Visualizing Vitruvius: Stylistic Pluralism in Serlio’s Sixth Book on Architecture? 359 Exotic Imitation and Local Cultivation: A Study on the Art Form of Dutch Delftware Between 1640 and 1720 393 Index Nominum 419

Author

Keizer, Joost; Richardson, Todd;

Published

2011

Language

EN