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Can I read Romantic Tragedies: The Dark Employments of Wordsworth, Coleridge, and Shelley: 87 (Cambridge Studies in Romanticism, Series Number 87) on EtoBox?

Romantic Tragedies: The Dark Employments of Wordsworth, Coleridge, and Shelley: 87 (Cambridge Studies in Romanticism, Series Number 87) by Reeve Parker is a nonfiction available to read on EtoBox.

What is Romantic Tragedies: The Dark Employments of Wordsworth, Coleridge, and Shelley: 87 (Cambridge Studies in Romanticism, Series Number 87) about?

"Troubled politically and personally, Wordsworth and Coleridge turned in 1797 to the London stage. Their tragedies, The Borderers and Osorio, were set in medieval Britain and early modern Spain to avoid the Lord Chamberlain's censorship. Drury Lane rejected both, but fifteen years later, Coleridge's revision, Remorse, had spectacular success there, inspiring Shelley's 1819 Roman tragedy, The Cenci, aimed for Covent Garden. Reeve Parker makes a striking case for the power of these intertwined works, written against British hostility to French republican liberties and Regency repression of home-grown agitation. Covertly, Remorse and The Cenci also turn against Wordsworth. Stressing the significance of subtly repeated imagery and resonances with Virgil, Shakespeare, Racine, Jean-François Ducis and Schiller, Parker's close readings, which are boldly imaginative and decidedly untoward, argue that at the heart of these tragedies lie powerful dramatic uncertainties driven by unstable passions - what he calls, adapting Coleridge's phrase for sorcery, 'dark employments'"--

Who reads Romantic Tragedies: The Dark Employments of Wordsworth, Coleridge, and Shelley: 87 (Cambridge Studies in Romanticism, Series Number 87)?

It is typically read by self-directed learners exploring a subject in depth.

Common subject areas: history, science, philosophy, social sciences.

Author
Reeve Parker
Publisher
Cambridge University Press (Virtual Publishing)
Published
2011
Language
EN
ISBN
9781316101483
Category
nonfiction
Subjects
History, Literary Criticism, Literary Fiction

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