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Gikandi analyzes the relationship between aesthetic objects and the political economy of slavery in his introduction. He situates his research question within disciplines like history, art history, anthropology, and political economy. Gikandi compares two historical sources - a Rembrandt painting and a written receipt - to show how slaves were portrayed in Dutch society, either as humanized or reduced to commodities. He interprets these sources through concepts from fields like art history, philosophy, and

Author

Siem Van de Kar

Language

EN