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OCTOBER 100, Spring 2002, pp. 154-174. At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, media, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today's artistic, intellectual, and critical vanguard. October was founded in 1976 in New York by Rosalind Krauss and Annette Michelson, who left Artforum to do so. Its name is a reference to the Eisenstein film that set a tone of intellectual, politically-engaged writing that has been the hallmark of the journal. The journal was an important participant in introducing French post-structural theory on the English speaking academic scene, and the journal became a major voice interpreting postmodern art. Jeremy Gilbert-Rolfe, one of the co-founders of the journal, withdrew after only a few issues, and by the spring 1977, Douglas Crimp joined the editorial team. In 1990, after Crimp was pushed out

Author

JstorPdfGenerator v1.0

Publisher

MIT Press

Published

2002

Language

EN