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This document summarizes an article about the interpretation of Gregorian chant. It discusses two opposing views - the rhythmic nuance view of the Solesmes school versus the mensuralist view that certain signs indicate doubling of rhythmic value. It argues that looking at influences from Byzantine chant notation may help resolve the conflict. Specifically, it notes that: 1) Byzantine chant notation had a highly developed system of signs for correct execution of melodies, including signs for nuances of rhyt

Author

Czerny Czerny

Language

EN