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This paper examines the representation of grief in the award-winning videogame Gris, drawing parallels with Elisabeth Kübler-Ross’ five stages of grief. It explores how elements such as color, music, and gameplay create immersive experiences that resonate with players, allowing for personal reflection and potential healing. The study highlights the broader cultural and societal functions of videogames, particularly in relation to mental health and coping mechanisms.
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- carchanity
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- EN