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Lógica e Música: Conceitualidade musical a partir da filosofia de Kant e Hanslick by Ricardo Nachmanowicz is a nonfiction available to read on EtoBox.

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The consolidation of aesthetics as an autonomous research discipline and the development of Romanticism mark the moment when the questions that we now recognize as essentially pertinent to this area of study began to be formulated in a more insistent way: what is music and what is it different from the sound? What place does it occupy in the system of all arts? What can music tell us about and how does it relate to our practical life? How it was affected by evolution contemporary society and mass culture? What could sufficiently determine your identity? When we consider these problems, the names that come to mind spontaneously are those of thinkers from the 19th and 20th centuries: Hegel, Schopenhauer, Nietzsche, Adorno and Goodman. It is precisely in this recent tradition of the history of philosophy that Ricardo Nachmanowicz's work is inscribed, in two senses. First, the question that animates your research concerns, precisely, to what makes the constitution of a musical object possible, and not merely sonorous, that is, what makes the object of our auditory perception, more than a mere set of vibrations of certain frequencies, be music. The main authors who is mobilized to add

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Author

Ricardo Nachmanowicz

Publisher

Relicário Edições

Published

2014

Language

PT

ISBN

9788566786095

Category

nonfiction