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This document provides an abstract for a thesis that investigates the use of physical gesture during the Baroque period as an emotive, rhetorical tool in conjunction with specific musical-rhetorical figures in Baroque vocal music, particularly English Baroque mad songs. The thesis analyzes 30 musical-rhetorical figures and their equivalent gestural figures based on sources from the 16th to early 19th centuries. Musical examples with gestural annotations are provided. The conclusions correlate rhetorical dev

Author

Felipe

Language

EN