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<p>In <i>Performing Identities on the Restoration Stage<b>,</b></i> Cynthia Lowenthal explores identity—especially masculinity and femininity, English and “foreign,” middle-class and aristocratic—as it is enacted, idealized, deployed, and redefined on the late-seventeenth-century British stage. Particular emphasis is placed on the ways the theatre contributed to new and often shifting early modern definitions of the boundaries of nation, status, and gender.</p> <p>&nbsp;</p> <p>The first portion of the book focuses on the playwrights’ presentations of idealized men and the comic ridicule of male bodies and behaviors that fall short of the ideal. Of special interest are those moments when playwrights use stereotypes of national character, particularly the Spaniards and Turks, as examples of the worst in male behavior, judgments that are always inflected with elements of class or status inconsistency.</p> <p>&nbsp;</p> <p>The second portion of Lowenthal’s discussion focuses on playwrights’ attempts to redefine the idealized woman. Lowenthal investigates the ways that an extratheatrical discourse surrounding the actresses, one that essentialized them as sexual bodies demanding scrutin

Author
Lowenthal, Cynthia
Publisher
Carbondale: Southern Illinois University Press
Published
2003
Language
EN
ISBN
9780809324620
Subjects
Literary Fiction, Drama, History

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